Moritz Mombour has designed a music pavilion for the Karmelitermarkt in Vienna. The concept for the project revolves around the notion that qualities typically deemed as un-architectural can be purposefully employed in order to abandon the typical ambition of creating and preserving a perfect aesthetic moment. Attributes such as decay, tenuousness and collapse are harnessed to produce an atmosphere that can embrace emotions ranging from the uncertain to the romantic. The cellular logic of the project allows for continuous expansion and, in turn, a continuous evolution of these qualities and emotions.
Designed as part of the “Excessive” program lead by Hernan Diaz-Alonso and tutored by Steven Ma, the project is part of an ongoing conversation that explores disciplinary autonomy, emerging aesthetic paradigms, and systematic speciation.
I would be nice for our entry to be Expressive, not necessary as Excessive as the example above. We could emphasise on the notion of motion but with the certain sensitive reaction quality towards the context and the environment (Led lighting, weather detection, temp, etc) I did a quick sketch on a light structure as for my 1st approach, taking into account our discussion month ago. Hopefully will be up in the blog by the end of this week.
Adios Amigos,
Charlie
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